Only very recently has the concept of alienation been resuscitated as postmodern alienation. The first chapter introduces the concepts of alienation and postmodernism and gives an assessment of the field and the theme to date. It is an almost unanimous opinion of readers and critics alike that these writers offer a counterhegemonial assessment of China’s past and present alike. The principle authors of this discussion are Liu Heng, Su Tong, Yu Hua, and Mo Yan, all of whom are writers of the so-called ‘new generation’ (wan shengdai). This project addresses the concept of postmodern alienation in post-Mao Chinese fiction, especially fiction published after 1985. Digital innovation has not possessed the capacity to measure the quickening separation between human personalities or the developing feeling of disappointment tormenting human mind. Rather, men get themselves more secluded, on edge and uneasy than any time in recent memory. Information has spread, however it has not annulled war or decreased dread: nor has it made all men parallel. Logical and innovative improvements have presented humankind the new ways of life and more up to date methods for correspondence, however have not possessed the capacity to relieve human hopelessness. Apprehension and forlornness have turned into the contemporary talk. Man feels an ontological instability, perplexity and disappointment in this time of obviously ceaseless developments and revelations. They are underestimated, and the minimized networks are regularly the country, poor and discouraged individuals. In each general public, there are a few areas of individuals denied of financial open doors for their sustenance and they are casualties of social, social, and political rejection. An essayist, who is an individual from society have a particular economic wellbeing and gets some level of social acknowledgment and reward.

Writing has constantly spoken to the socio-social substances of life.

The garlic ballads by mo yan